Welcome to The Little Music Company

Production, post-production, music creation and rights management.
The Little Music Company

The story so far

Way back in 1988 I set up an Audio-Post facility in Gloucestershire to cater for Children’s Television. The studio offered casting, voicing, music creation and full sound design for clients such as BBC, ITV, Universal, Buena Vista, ZDF, TF1.

In the mid 90’s the company expanded to incorporate a production arm creating animated Series for BBC and ITV including Little Red Tractor, Billy, Merlin The Magical Puppy achieving 3 BAFTA nominations and a Golden Pulcinella along the way.

In 2007 The Little Music Company was formed to handle our own in-house music publishing. Now, nearly 30 years on and over 400 Series later, I’ve amalgamated everything into one company: The Little Music Company. This is the website so have a look around and, if there is anything we can help you with, don’t hesitate to get in touch.

Keith Littler. March 2017

More About Us
Why Choose Us

Any number of factors can dictate your choice, from price to geography. Within the website you can find out who is who at the studio and hopefully you’ll see we’ve worked together a long time covering a wealth of projects from Kids TV, Drama, Sport and Natural History.

We’re very much aware budgets are tight and pride ourselves on going the extra mile when it comes to speed and quality of delivery but I would say that – have a look at the testimonials and the global success of many of the projects we have worked on and hopefully they will tell you what you need to know.

Testimonial

  • “I couldn’t have been more pleased with the music. The response to a difficult brief – to create music that was ancient, yet contemporary, and epic, but with great emotional intimacy – was consistently rich, original and evocative. I found them always enthusiastic and genuinely collaborative; in short, a pleasure to work with. And they have produced one of the best scores I’ve had the good fortune to enjoy in my work”

    Paul Marcus
    Director
  • The beautifully scored compositions for Gladiator and Fugitive are inspired and the opening sequence of Gladiator in particular certainly has “the tingle effect”.

    Marcus DF White
    Director
  • The music is both exciting and dramatic, truly epic at times whilst also managing to be sensitive in the right places and invaluable to the storytelling. For me, it is an essential part of the success.

    Jill Robertson
    Director

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